The Vampire Tale as a Sub-genre of the Gothic Essay examples

The Vampire tale As a Sub-Genre of The Gothic Here I will expound upon how the vampire tale is undoubtedly a sub-genre of the Gothic Genre. I will also attempt to tackle the tricky question of whether the vampire tale falls within the subsection of the terror gothic or the horror gothic. In order to emphasize my points and observations I will refer to two scenes in the short story appropriately titled The Vampire, by John Polidori. In the Vampire several elements of the Gothic are readily discernible. More so in this tale because it is so short, succinct and rather straightforward. The protagonist, a young orphaned Englishman named Aubrey enters the cosmopolitan scenes of London and crosses†¦show more content†¦The protagonists dilemma is that he believes he is bound to the honor of his word and cannot tell the secret that eventually consumes him. So his teacher gets married to and eventually victimized by a vampire. The story ends with a mounting bang thats any thing but anti-climactic. The author even ends the story with an exclamation mark. A point that should be well noted for it displays the tone and purpose of the telling of this particular tale. Before I press on into the territory that will illuminate the exact specifications this mark or contrast this work with a specific, brand, formula and genre I want to briefly note upon some deviations from the general subject matter and nuances that weve reviewed thus far in class. First of all this tale is strangely folkloric. Despite part of its setting being cosmopolitan London, theres almost a sitting around the fire fable-like quality to the tale. It has a tone to it that really draws you in. The narrator at one point makes a remark about how a particular character is unaware of a fact that the reader is in on. The indulgent, tone alone is not what makes for the folk tale quality that I sense. No, also there are a number of questions tossed out into the etherShow MoreRelatedGothic Realism And The Vampire Sub Cultures1512 Words   |  7 PagesSince the 18th century, Vampires have ultimately transcended narrative boundaries and genre divides and the Vampire sub-cultures flourish in neo-gothic aesthetic from science fiction and fantasy, romantic and young adult literature and in celluloid. Vampire graphic narratives are finding increased popularity and have since developed into an â€Å"Iconic popular culture phenomenon drawing an obsession and fascination globally†. (Jacqueline, Ng, 2014) So what inspired this new genre of graphic narrativeRead MoreThe History of Vampires1397 Words   |  6 Pagesseems obsessed with vampires. From gothic vampire novels, to endless movies, television and art, the vampire archetype continues to grow in popularity and sophistication. What is behind this seeming obsession with vampires, in our western culture? Why does this archeype endure? What does the vampire have, or do, that makes him/her so attractive and compelling? When did the transformation occur, from foul miscreant to suave tragic hero? Who is the vampire - really? Vampire culture seems in starkRead MoreThe Development Of The Horror Genre Throughout The Years1758 Words   |  8 PagesMakhi Hughes Section 5 15 November, 2016 Final Semester Paper The Development of the Horror Genre Throughout the Years Both horror and science fiction explore the boundaries of what is means to be human (Belton, 272). This is done by emphasizing the dilemmas of the figures who straddle the border of human and non-human (Belton, 273). Horror and Sci-fi contain narratives that take on a form of a search for knowledge that will enable the human race to overcome any obstacle that involves a supernaturalRead MoreVictorian Novel9605 Words   |  39 Pagescrucial writers of the period grew up in the earlier years, and had been influenced by the age of English Romanticism. Therefore, although Victorian was modern, materialist, factual and concerned with ‘things as they are’, Romantic, associated with Gothic, melodramatic, idealistic influenced the way novelists wrote in the beginning of the 19th century. I THE DEVELOPMENT OF THE NOVEL It was the Industrial Revolution that allowed not only cheap printing and papermaking but also rapid book distributionRead MoreMetamorphoses Within Frankenstein14861 Words   |  60 Pagessense of ‘the imp act of technological dev elopments on 28 people’s lives and th e possibility of working-class revolu tion ’. Th is may be amongst th e things Ann Mellor has in mind when she says that Mary 29 Shelley ‘ initiated a n ew liter ary genre, what w e now call science fiction’, for the same f ear of mechan ization out of contro l informs the typical science-fiction dystopia of our own century: a sin ister scien tif ic technocracy whose success is built upon the marginalization and attemp